SBP @ WFC 2014

Wed 29 Oct 2014 - Filed under: Not a Journal., , , , , , , , , , | Posted by: Gavin

What’s going on? Too much to say! We have tables (and, hopefully, you know, books for sale on those tables) in the dealer room, and many, many Small Beer authors will be there including (although to paraphrase what The New Yorker always says at the start of their gig listing: authors live complicated lives and sometimes plans don’t work out):

Nathan Ballingrud, Ted Chiang, Andy Duncan, Jeffrey Ford, Eileen Gunn, Kathleen Jennings (all the way from Australia, wooee!), Kij Johnson, Nancy Kress, Ellen Kushner, Kelly Link, Benjamin Rosenbaum, Delia Sherman, Sofia Samatar, Ysabeau S. Wilce.

Here’s some of what I saw on the program list the other week. If you’re going, drop by and say hi!

Thursday

E. Nesbit and Her Influence
Time:  4 p.m.-5 p.m., Thursday,  Regency F
Panelists:  Benjamin Rosenbaum (M), Ginjer Buchanan, Robert Knowlton, S. T. Joshi
Description:  E. Nesbit published over forty children’s books, from the beloved The Railway Children to The Stories of the Treasure Seekers and Five Children and It. She also had a darker side, as seen in Something Wrong and Tales told in Twilight, collections of horror stories for adults. A writer of many sides, Nesbit had an influence on many writers, including C.S. Lewis, Michael Moorcock, and J.K. Rowling. The panel will discuss her work and why it continues to have an impact today.

Friday

Derived Myths: Making it Original
Time:  10 a.m.-11 a.m., Friday,  Regency F
Panelists:  Sandra Kasturi, Nick DiCharo (M), S. P. Hendricks, Ellen Kushner, Melissa Marr
Description:  There is no denying that the influence of various mythologies on fantasy, which have been inspiration for Lord Dunsay, Elizabeth Hand, Barry Hughart and many more. With a wealth of examples, the panel will discuss when the myth inspiration is the center of the work to when it has lead to a whole new mythos.

Language and Linguistics in Fantasy
Time:  10 a.m.-11 a.m., Friday,  Regency E
Panelists:  Lawrence M. Schoen (M), C.D. Covington, Matthew Johnson, Sofia Samatar
Description:  Foreign languages are often used in fantasy literature to add atmosphere, to show cultural backgrounds, and to bring a richness to the world, as can be seen in Anthony Burgess’ A Clockwork Orange and Richard Adams Watership Down. Some works rely on real languages. Others, such as Tolkien, have invented entire tongues of their own. Which stories incorporate other languages successfully, and where have authors stumbled, making too much of the work incomprehensible to the reader?

Reading: Nathan Ballingrud
Time: 10am-10:30am, Nov. 7, Fairfax

Adoption and Fostering in Fantasy
Time:  12 p.m.-1 p.m., Friday,  Regency F
Panelists:  Susan Dexter (M), Tina Connolly, Delia Sherman, Edward Willett
Description:  Adoption or fostering is often used in fantasy and horror literature, from Oedipus to Jon Snow, from young Wart helping in the kitchens before that fateful day when he pulled a sword out of a stone in Londontown, to the most famous orphan of them all, Harry Potter. Dozens of fantasies feature young orphans who do not know their parentage, from Richard in Wizard’s First Rule, to Will from the Ranger’s Apprentice series, who is a ward of the state, to even Frodo, who was an orphan, albeit an older one, at the beginning of his adventures. There is even one beloved character, Taren from the Prydain Chronicles, who never learns his parentage, and this mystery itself proves to be his key to assuming the kingship. How does adoption, bastardy, mixed parentage, long-lost relatives all contribute to epic quests for self-knowledge in literature?

Beyond Rebellion in Young Adult Fantasy
Time:  2 p.m.-3 p.m., Friday,  Regency F
Panelists:  Ysabeau Wilce (M), Gail Carriger, Sarah Beth Durst,
Description:  We all know the story of teen disaffection and rebellion, but there are plenty of Young Adult fantasies that maintain strong family ties, with rational adult role models, such as L’Engle’s A Wrinkle in Time, Stephen Gould’s Impulse, or even Suzanne Collin’s Hunger Games. A look at books that don’t always have the hero with an unhappy home, discussion why this can also make an intriguing story.

Reading: Jeffrey Ford
Time: 5pm-5:30pm, Nov. 7, Arlington

Saturday

Fantasy Artists That Take Up the Pen
Time:  11 a.m.-12 p.m., Saturday,  Tidewater 2
Panelists:  Charles Vess (M), Kathleen Jennings, Greg Manchess, Ruth Sanderson
Description:  There are authors who are know for doing artwork, such as Beatrix Potter, Rudyard Kipling and Neil Gaiman, so it should be no surprise that artists can also be drawn to writing. The panel will discuss the impact of being both artist and writer and how these two creative forms interact.

Reading: Andy Duncan
Time: 11am-11:30am, Nov. 8, Fairfax

Reading: Kelly Link
Time: 11:30am-12pm, Nov. 8, Fairfax

Historical People in Fantasy
Time:  1 p.m.-2 p.m., Saturday,  Tidewater 2
Panelists:  Eileen Gunn (M), David B. Coe, Jack Dann, Jean Marie Ward, Rick Wilber
Description:  When using Samuel Adams, Joseph Warren, or perhaps on of the most used names, Nikola Tesla and other real people as characters in fiction, what liberties can an author take and what holes do they have to fill? How close to the real Jack Kerouac does Nick Mamatas get in Move Under Ground? What do creators owe to history, especially if the players are in a new world as in Philip Jose Farmer’s Riverworld series. The panel will discuss where historical truth meets literary license.

Lafferty as an American Fantasist
Time:  2 p.m.-3 p.m., Saturday,  Tidewater 2
Panelists:  Andy Duncan (M), Carrie Cuinn, Andrew Ferguson, Gordon Van Gelder, Don Pizarro, Cat Rambo
Description:  R. A. Lafferty was known for his original use of language and metaphor. Drawing on storytelling traditions of the Irish and Native Americans, but with his own twists, as in The Devil is Dead and The Flame is Green. The panel will explore how Lafferty used American history, American landscapes, and American folklore/mythology in his work.

Reading: Nicole Kornher-Stace
Time: 2:30pm-3pm, Nov. 8, Fairfax

Sunday

Young, Middle-Aged, and Older Writers
Time:  11 a.m.-12 p.m., Sunday,  Washington
Panelists:  Catherine Montrose (M), Nancy Kress, Kevin Maroney, Chelsea Quinn Yarbro
Description:  Some writers’ best work is the first thing they ever published. Others, like George R. R. Martin, get better with age. Others, such as Terry Pratchett, have maintained their quality over a span of decades. How does the age and/or generation of the writer affect the story? Also, does the age at which authors began to write matter? The bestselling Eragon was published by a young man of not yet twenty, while Tolkien did not get his first work published until he was forty-five. How does getting older affect an author’s work? How do they feel about their earlier works when they look back? Have our opinions, as readers, changed on this subject over time?