Carol Emshwiller - published August 2002
- Philip K. Dick Award Winner
- Best of the Year: Locus, Village Voice, Book Magazine
- Nominated for the Impac Award
Charley is an athlete. He wants to grow up to be the fastest runner in the world, like his father. He wants to be painted crossing the finishing line, in his racing silks, with a medal around his neck. Charley lives in a stable. He isn’t a runner, he’s a mount. He belongs to a Hoot: The Hoots are alien invaders. Charley hasn’t seen his mother for years, and his father is hiding out in the mountains somewhere, with the other Free Humans. The Hoots own the world, but the humans want it back. Charley knows how to be a good mount, but now he’s going to have to learn how to be a human being.
The Mount is the award winning novel by Carol Emshwiller, author of Carmen Dog and Ledoyt.
“We’re not against you, we’re for. In fact we’re built for you and you for us — we, so our weak little legs will dangle on your chest and our tail down the back. Exactly as you so often transport your own young when they are weak and small. It’s a joy. Just like a mother-walk.” Read on
Praise for The Mount:
“The Mount is so extraordinary as to be unpraiseable by a mortal such as I. I had to keep putting it down because it was so disturbing then picking it up because it was so amazing. A postmodernist would call it The Eros of Hegemony, but I’m no postmodernist. Nearly every sentence is simultaneously hilarious, prophetic, and disturbing. This person needs to be really, really famous.”
– Paul Ingram, Prairie Lights Bookstore
We are all Mounts and so should read this book like an instruction manual that could help save our lives. That it is also a beautiful funny novel is the usual bonus you get by reading Carol Emshwiller. She always writes them that way.
– Kim Stanley Robinson, author of The Years of Rice and Salt
I’ve been a fan of Carol Emshwiller’s since the wonderful Carmen Dog. The Mount is a terrific novel, at once an adventure story and a meditation on the psychology of freedom and slavery. It’s literally haunting (days after finishing it, I still think about all the terrible poetry of the Hoot/Sam relationship) and hypnotic. I’m honored to have gotten an early look at it.
– Glen David Gold, author of Carter Beats the Devil
This novel is like a tesseract, I started it and thought, ah, I see what she’s doing. But then the dimensions unfolded and somehow it ended up being about so much more.
– Maureen McHugh, author of Nekropolis
Carol Emshwiller’s The Mount is a wicked book. Like Harlan Ellison’s darkest visions, Emshwiller writes in a voice that reminds us of the golden season when speculative fiction was daring and unsettling. Dystopian, weird, comedic as if the Marquis de Sade had joined Monty Python, and ultimately scary, The Mount takes us deep into another reality. Our world suddenly seems wrought with terrible ironies and a severe kind of beauty. When we are the mounts, who — or what — is riding us?
– Luis Alberto Urrea, author of Six Kinds of Sky
See the original painting (large image)