At least, it’s going well from here — thank you! It’s busy as all get out but we are up to date to Thursday’s orders and by the end of today will have caught up again — unless there are too many orders to ship, woohoo, bring it! The post office says that US Priority Mail orders will still arrive by Christmas if ordered by 12/21, go for it!
Want some last minute present ideas? (OK, these are all going to be Small Beer books, I think.) Nothing here will stop the howling void of despair and depression taking over all from the electoral shenanigans but they will distract for various amounts of time:
It was a pleasure to encounter renowned SF and fantasy writer Ursula K. Le Guin’s book of essays, Words Are My Matter, and to hear her wise, informed, elegant, and occasionally testy voice discussing such joys as the early H.G. Wells classics such as The Time Machine and China Miéville’s Embassytown—which surely owes a debt to Le Guin’s own The Left Hand of Darkness, now out in a sumptuous new Penguin Galaxy edition.
Sit back (or go jog, or shovel some snow) and listen to David Naimon and Sofia Samatar chat about The Winged Histories on the Between the Covers podcast. The Winged Histories was chosen as one of the best books of the year by NPR — yay!
The Valley Advocate ran a 3-page spread on John Crowley’s The Chemical Wedding which included interviews with Crowley, illustrator Theo Fadel, and designer Jacob McMurrary. The paper edition had many illustrations. Meanwhile the book was reviewed on Tor.com.
See the Elephant had previously run a review of Jeffrey Ford’s A Natural History of Hell which much to my enjoyment began “Hellishly Good Stories.” Jim Sallis revelled in Ford’s collection in F&SF (“Formally Ford’s stories are object lessons in how to stage a narrative.”) Alvaro Zinos-Amaro reviewed it on IGMS and DF Lewis wrote reaction posts while reading the stories. Hazel and Wren also liked the book. What can I say? It struck a chord.
And Mary Rickert’s collection, You Have Never Been Here, came out so late in 2015 that a lot of people read it this year, i.e. Sallis (“Reading a Mary Rickert story quite often is like sinking through layers of such worlds. We begin in one place, blink, and open our eyes to somewhere—something—else.”) in F&SF and William Grabowski in See the Elephant: “Rickert’s work, its superbly subtle handling of deepest human yearning for something to heal the howling void behind our increasingly demythologized world, shows the ineffable power—and value—of fantastical storytelling.”