We hear there’s an excellent review of Nathan Ballingrud’s book coming up in Locus which reminded me that a great interview (and a story) with Nathan just went up. Which reminded me about two more good interviews. Luckily it’s lunchtime here on the East Coast (today aka the East Ghost), a great time to sit down and enjoy an interview with your brains/candy/sweets/actual lunch:
Nathan Ballingrud at the Weird Fiction Review:
I think of horror as the literature of antagonism, and this is why it’s so valuable to us. For me – and of course I speak entirely of my own preferences – a good horror story is upsetting. It does not reinforce the status quo. It’s an act of hostility to some cherished assumption, whether it’s the durability of familial bonds, the presumed benevolence of God, or even the basic decency of our own hearts. Horror fiction should harshly interrogate everything that makes us feel content. It’s the devil’s advocate of literature. We absolutely need that, and that’s why it abides, whether we call it horror, or Gothic, or strange, or weird. It’s all an interrogation.
Kelly Link at Gigantic:
I think I’ve hit a point with TV shows, maybe less so with books, where as soon as I have an idea of where the show is going, I would rather be doing something else. I’m not really so interested in shows that are realistic, or what passes for realistic depictions of how men are figuring out to be men, if the women are secondary characters: which rules out Mad Men, Breaking Bad.
Susan Stinson at Lambda Literary:
All of the characters in the book are outside of my time. As a white woman writing across lines of racial identity, I know that I have built-in biases that I’ve acquired from the culture. I think we all do, and that’s one of the legacies of slavery. I didn’t know when I started writing the book that Jonathan Edwards was a slave owner. Once I knew that, it became clear that I needed to enter as deeply as I could into the minds and lives of the characters who were slaves in the household. Anything else would be a terrible omission based on fear. Several characters in the book are slaves. Jonathan Edwards owned slaves, a historical fact that Edwards enthusiasts sometimes ignore. So, I did my best.