New: Read the Introduction and first chapter on Tor.com.

Karen writes about Paama’s origins for Scalzi’s Big Idea.

Karen blogs for one of our favorite bookstores, Powell’s.com: Listening to stories. Making a book trailer. Cake! Authenticity. The Muse.

In this clever and entrancing debut novel—which won the Frank Collymore Award—Paama frees herself from a troublesome and capricious husband, only to become the unwitting heroine in a fantastic struggle to reconcile the supernatural forces of fate with humanity’s free will.

“Full of sharp insights and humorous asides (”I know your complaint already. You are saying, how do two grown men begin to see talking spiders after only three glasses of spice spirit?”), Redemption extends the Caribbean Island storyteller’s art into the 21st century and hopefully, beyond.”
—Seattle Times

“A great deal happens in the novel’s relatively short course, but confusion is minimal because Lord has found the ideal voice for the narrator—feminine yet authoritative, amusing yet soothing, omniscient yet humble. This is one of those literary works of which it can be said that not a word should be changed.”
—Booklist *Starred Review*

“Lord’s debut, a retelling of a Senegalese folktale, packs a great deal of subtly alluring storytelling into this small package…. An unnamed narrator, sometimes serious and often mischievous, spins delicate but powerful descriptions of locations, emotions, and the protagonists’ great flaws and great strengths as they interact with family, poets, tricksters, sufferers of tragedy, and—of course—occasional moments of pure chaos.”
—Publishers Weekly *Starred Review*

“The impish love child of Tutuola and Garcia Marquez. Utterly delightful.”
—Nalo Hopkinson (Brown Girl in the Ring)

“Adventure, mystery, familial relations, discourse of power, ananse, the spirit world—a difficult mix/transition between conventional ‘plot’/narrative and magical realism—between cooking and xtreme lyric—beyond the boundary of what we conventionally/conveniently think of as ‘Bajam’, as ‘West Indian writing’, but part of and contribution to the ‘new generation’ of Caribbean imprint, pioneered by Lawrence Scott (TT/UK), in development now by Nalo Hopkinson (Guyana/Canada), (Marina Warner’s Indigo too?) and being incremented on/to by this challenging first novel by prize-winning Karen Lord of Barbados.”
—Kamau Brathwaite (Born to Slow Horses)

“Drawing on a multicultural mélange of narrative traditions—both oral and written—this Barbadian author surprises. She tap dances across the conventional, using it to make spirited sounds. She twists out of tired modes: “Once upon a time—but whether a time that was, or a time that is, or a time that is to come, I may not tell.” Then, Lord ends the tale by challenging “those who utterly, utterly fear the dreaded Moral of the Story.” Expect a work that can revive this and other exhausted elements of story.”
—Foreword Reviews

Author photo © Risée N. C. Chaderton.
Cover photo © Corbis.

Events Calendar

Sept. 9: Reading with Julia Holmes
McNally Jackson Books
52 Prince Street, New York, NY

Sept. 12: Karen will be a panelist at the Brooklyn Book Festival,
Brooklyn Borough Hall
209 Joralemon Street
Brooklyn, NY 11201

Sept. 14: Reading with Julia Holmes (Meeks)
Greenlight Bookstore
686 Fulton Street
Brooklyn, NY

Check back for more readings, a launch party in Barbados, and more!

Coming in June 2010 is Karen Lord’s fantastic and award-winning debut novel, Redemption in Indigo. We like Karen’s book because it’s choc-a-bloc full of magic–trickster spiders, metamorphic spirits, and clairvoyant nuns, oh my!  An imaginative re-telling of a Senegalese folk tale, Redemption in Indigo tells the story of Paama, whose overweight and overbearing husband causes nothing but trouble and embarrassment.  When Paama abandons her husband and returns to her home village, the magic really begins.  Unbeknownst to Paama, she wields the Chaos Stick, a handy device that controls the course of Fate, and the Indigo Lord wants it back…

As you might remember, Karen won the 2008 Frank Collymore Literary Prize in Barbados for Redemption in Indigo–then she just won it again for her novel “The Best of All Possible Worlds.”

If you aren’t impressed yet, Nalo Hopkinson called Karen’s book “The impish love child of Tutuola and Marquez. Utterly delightful.”

We think so, too.  It’s a perfect read for the summer weather (though it’s possible the Chaos Stick is wreaking havoc on our weather patterns here in Massachusetts!).

Updated to add: more coverage of the award in The Barbados Advocate and The Nation.

More news of delightful reads to come…

“If you favor a leisurely but still intriguing mystery with amiable characters and a devotion to the printed word, Hound will provide a pleasant diversion. As much about books — and love and knowledge and family — as about murder, Hound is the first in McCaffrey’s projected trilogy, and book lovers will eagerly await Henry’s next outing.”
—Richmond Times-Dispatch

“One of the strengths of this book is McCaffrey’s droll description throughout…. As quick as McCaffrey’s wit is, so is his un-saccharine sentimentality…. In the end, that careful attention is what makes Hound evoke such a Jimmy Stewart-movie atmosphere. It wraps up completely like a, yes, package—but an honest one, skillfully wrapped and artfully offered.”
—Rain Taxi

“For the true bibliophile, this is a book you’ll love. McCaffrey peppers his prose with all kinds of allusions and references to books and literature, new and old, classic and arcane, as well as multiple passages of verse. Clearly, as a career bookseller, McCaffrey knows his books.
—The Hippo, NH

“Henry Sullivan is just squeaking by as a “book hound,” a wholesale rare book dealer. He scrounges yard and estate sales picking up the odd bibliographic treasure here and there. He thinks he might be onto a second shot at happiness when an ex-girlfriend asks him to appraise a collection of first editions left by her late husband. But when this former love is murdered, Sullivan turns from reading Raymond Chandler to trying to solve the crime himself. With a faster pace tempered by real emotional resonance, Hound is different from John Dunning’s “Bookman” series, yet there is enough behind the scenes information about the rare book trade to appeal to Cliff Janeway fans. (McCaffrey ran an independent bookstore for 30 years, so he knows what he’s talking about.) The tale is packed with references not only to mystery writers like Erle Stanley Gardner, but a variety of others from Charles Dickens to Nevil Shute. McCaffrey even name checks Harlan Ellison as an example of “The good ones are all difficult.” Set in a beautifully-evoked contemporary Boston, the old town soon provides a wealth of other mysteries for Sullivan, like a hidden stash of letters belonging to a flapper adventuress of the 1920s. As with all good books about books (even novels), this one will send you out looking for the other writers discussed.”
—Author Magazine

“Deeply weird, sometimes challenging, but always smart and affecting.”
– Locus (Notable Books)

“Endlessly imaginative.”
– Venus

“Deniro’s greatest gifts are those of a poet, and his prose is filled with stunning images and incantatory rhythms. Debuts often come along with press releases touting them as “assured,” and sure enough, Deniro’s was no different. But with talent as deep as his, it’s no wonder Deniro is confident in touring us around his strange worlds.”
–Jonathan Messinger, Time Out Chicago

“Thoughtful, ambitious writing and truly transformative reading.”
– Small Spiral Notebook

“Maybe the future of sf is Alan DeNiro. The title story here, set in twenty-third-century Pennsylvania, is its nameless-till-the-last-sentence narrator’s university-application essay, numbered footnotes and all, which explains why not to expect him on campus anytime soon; he is in love and considering getting gills. Maybe DeNiro is the future of alternate history: in “Our Byzantium,” a college town is invaded by horse-and-chariot-led soldiers who demolish cars, wheelchairs, and other machines; reestablish Greek as the lingua franca; and otherwise conquer. He could be fantasy’s tomorrow, too, if the offhandedness of the impossible transformations in “The Cuttlefish,” “The Centaur,” “The Excavation,” and “If I Leap” catches on. In “The Fourth” and “A Keeper,” DeNiro is one of the most powerful, least partisan prophets of consumerist totalitarianism. “Salting the Map” confounds the distinction between artifice and reality as deftly and daftly as Andrew Crumey’s Pfitz (1997) and Zoran Zivkovic’s Impossible Stories (2006). The long closer, “Home of the,” about Erie, Pennsylvania, now and then, is as laconic and associative as its title is elliptic. Refreshing, imaginative, funny-scary stuff.”
– Ray Olson, Booklist

“A commitment to experimental structure and oddball elements provides this debut collection’s consistency…. The collection argues for DeNiro as a writer to watch.”
– Publishers Weekly

“Many of these stories unfold like dreams, startling in their detail but elusive in their meaning. Yet, the prosaic as well as the poetic features in these stories as characters attempt to create a detailed but incomplete record, like a dream book of their own histories. Objects such as a college entrance essay, maps, postcards, outdated computer disks, the provenance of a chess set, all become documents which convey the fragility of histories”
– Greenman Review

Advance Readers say:

“Skinny Dipping in the Lake of the Dead is a thrill ride. Men jump from buildings and walk away, Assassins are hired to murder novels, Byzantines spring from the hills and sack college towns. On each page Alan DeNiro performs feats of acrobatic skill, holding the edge with remarkable control. He has created a brand new world, and I believe every word of it.”
– Hannah Tinti (Animal Crackers)

“I’m not ordinarily an editor, so finding stories for the first six issues of Fence magazine was a guilty pleasure, and the subsequent work by formerly unknown Fence writers like Kelly Link and Julia Slavin has made me look like a prognosticator, or maybe an annoying drunk guy on a streak at a casino. Now here’s Alan DeNiro, whose “Skinny Dipping in the Lake of the Dead” was always my favorite. I’m thrilled to see him in bookstores at last.”
– Jonathan Lethem (Fortress of Solitude)

“Alan DeNiro’s stories move in unexpected ways into unexpected places — up in the air, under the water, out of this world. He has a gift for precise language and poetic logic, his own unique sort of circus realism. Sharp, smart, and completely original, this is a lively, lovely collection from a memorable talent.”
– Karen Joy Fowler (The Jane Austen Book Club)

“Reading Alan DeNiro’s new collection, Skinny Dipping in the Lake of the Dead, made me feel like a dog that twists its head a bit to the side on hearing a whistle too high for humans to hear. The dog is perplexed and intrigued by the sound — it knows where it’s coming from but not really. Familiar enough, but maybe not. So too with these strong, out of kilter stories. DeNiro blows his own distinctly different sounding whistle and once you’ve heard it, you can’t help but stop and take real notice.”
– Jonathan Carroll (Glass Soup)

“The wholly original, carefully crafted tales that comprise Alan Deniro’s Skinny Dipping in the Lake of the Dead are like colorful pinatas full of live scorpions — playful, unexpected, and deadly serious.”
– Jeffrey Ford (The Girl in the Glass)

Reviews + Quotes for Generation Loss

“Thirty years ago, Cassandra Neary’s grim photos of punks and corpses briefly made her the toast of the downtown art scene. Now an alcoholic wage slave, Neary accepts a magazine assignment to interview one of her reclusive photographer heroes on a Maine island, where a rash of missing-teenager cases and an off-kilter populace grab her attention. It takes time to warm to the self-destructive, sour-tempered protagonist –she drives drunk, pops Adderall and Percocet, and generally tries to not stick out her neck. Luckily, Hand’s terse but transporting prose keeps the reader turning pages until Neary’s gritty charm does, finally, shine through.” (B)
– Entertainment Weekly

“Although Generation Loss moves like a thriller, it detonates with greater resound.”
– Graham Joyce, Washington Post Book World

“This novel disturbs like Cass’s photos of dead junkies and squalid club scenes. While in some ways she’s just another self-destructive person, Cass’s intelligence and talent make her an appealing mess. Hand propels this oddly appealing character through an old-fashioned mystery-thriller with stirring results. In the end, Generation Loss is a conventional story of sin and redemption. With darkly inventive polish, Hand reveals a character so deeply disordered, she’s both unlikable and compelling.”
—Time Out Chicago

“Cass is a marvel, someone with whom we take the difficult journey toward delayed adulthood, wishing her encouragement despite grave odds.”
– Los Angeles Times

“This smart, dark, literary thriller will keep you up at night. A photographer who has been drinking, doing drugs, and alienating everyone around her since the ’70s goes to Maine to interview a legendary photographer and gets caught up in the case of a missing girl.”
– Megan Sullivan’s Pick of the Week at the Boston Globe

“This long-awaited fantasy novel brings an end to the critically acclaimed Aegypt quartet that takes ‘the vast jigsaw that Crowley has assembled in the first three books – and places them in a picture that’s open, smiling, filled with possibility….gracefully written, beautifully characterized, moving, and thought-provoking…. [Graham Sleight]‘”
– Locus Notable Books

“Just as lives that are only momentarily brilliant deserve celebration and respect, though, so do such novels, because life is dark enough that we need whatever illumination we can get, and there’s plenty to be had in Generation Loss.”
– Strange Horizons

“A formerly famous punk photographer attracted to the dead and damaged stumbles on a serial killer case when she takes a job inteviewing a famous reclusive photographer in this dark thriller of art and damaged souls, and despite only a hint of the supernatural, ‘…something of a departure for the author, but fully as elegant and significant as her overtly fantastic works. There is grave beauty her, and great thematic power.’ [Nick Gevers]”
– Valley Advocate

“Hand (Mortal Love, Black Light) expertly ratchets up the suspense until it’s at the level of a high-pitched scream near novel’s end.”
– Milwaukee Journal Sentinel

* “Hand (Mortal Love) explores the narrow boundary between artistic genius and madness in this gritty, profoundly unsettling literary thriller.”
– Publishers Weekly (starred review)

“Ægypt is a metamorphosis, a metensomatosis, a memory play and a meta-novel; a story about many stories, a book with a larger book inside it. The further in you go, the bigger it gets.”
– Elizabeth Hand, F&SF

“Cass Neary, Elizabeth Hand’s unlikely heroine in her latest novel Generation Loss, may be hard to like, but I found her story is easy to love.”
– Feminist Review

“A dark, literate mystery that’s easy to appreciate and hard to put down.”
– The Olympian

“The novel crackles with energy: it is alive.”
– Nicholas Rombes, (The Ramones and New Punk Cinema)

“Intense and atmospheric, Generation Loss is an inventive brew of postpunk attitude and dark mystery. Elizabeth Hand writes with craftsmanship and passion.”
– George Pelecanos

“Lucid and beautifully rendered. Great, unforgiving wilderness, a vanished teenager, an excellent villain, and an obsession with art that shades into death: what else do you need? An excellent book.”
– Brian Evenson, The Open Curtain

Praise for Elizabeth Hand’s previous novels:

” A literary page-turner . . . deeply pleasurable. . . . A delightful waking dream.”
– People (****)

“One of the most sheerly impressive, not to mention overwhelmingly beautiful books I have read in a long time.”
—Peter Straub

*”[Hand’s] language has an incantatory beauty.”
– Publishers Weekly (Starred Review)

Delia Sherman considers herself a “recovering academic.” She got her PhD in Renaissance Studies and taught at Boston University and Northeastern, during which time she wrote her first novel, Through a Brazen Mirror. She left the academy in 1993 to write and edit full time, co-editing anthologies of science fiction and fantasy with Terri Windling and Ellen Kushner and serving as a consulting editor at Tor Books. Her other adult novels are The Porcelain Doveand The Fall of the Kings, written with partner Ellen Kushner. In 2006, Viking published her first novel for young readers, Changeling. Her short fiction has appeared most recently in The Faery Reel, Salon Fantastique, The Magazine of Fantasy & Science Fiction, Coyote Road, and The Year’s Best Fantasy & Horror. She satisfies her continuing desire to teach by serving as an instructor at various writing workshops in the U.S. and Europe, including Odyssey, Wiscon, and Clarion. A founding member of the Interstitial Arts Foundation, she lives in New York City.

Theodora Goss was born in Hungary and spent her childhood in various European countries before her family moved to the United States. Although she grew up on the classics of English literature, her writing has been influenced by an Eastern European literary tradition in which the boundaries between realism and the fantastic are often ambiguous. She is completing a PhD in English literature at Boston University, where she teaches classes on fantasy and the gothic. Her short story collection, In the Forest of Forgetting, was published in 2006 by Prime Books. She lives in Boston with her husband Kendrick and daughter Ophelia.

About the Contributors

Karen Jordan Allen spent her mostly happy childhood in rural Indiana. She now lives in Maine with her husband and daughter, a cat, and a rabbit. Her fiction has appeared in a number of magazines and anthologies, including Century, A Nightmare’s Dozen, Bruce Coville’s Strange Worlds, Black Gate, First Heroes: New Tales of the Bronze Age, and Asimov’s Science Fiction.

Christopher Barzak spent two years in Japan, teaching English in a suburb of Tokyo, and returned home to Youngstown, Ohio last year. His first novel, One for Sorrow, was published by Bantam Books in August 2007.

K. Tempest Bradford is an Ohio native and alumna of the Clarion West and Online Writing Workshops. She currently lives in New York City (at the very tip-top with the ravens). She spends most of her time trying to find a place with free tea and Internet where she can write.

Matthew Cheney’s work has appeared in One Story, Locus, Web Conjunctions, Rain Taxi, Strange Horizons, and elsewhere. His weblog, The Mumpsimus, was nominated for a World Fantasy Award in 2005, and he is the series editor for the annual Best American Fantasyanthology from Prime Books.

Michael J. DeLuca would like to tell you he lives in a cave in Western MA, pronouncing false prophecy in exchange for such essential sustenance as food, water and wireless internet. Unfortunately such caves are few and far between, and often occupied by fearsome squatters, so he advises that you not go looking for him and visit his website instead.

Adrián Ferrero was born in La Plata (República Argentina) and attended the Universidad Nacional de La Plata, where he is currently doing his PhD. He has published academic articles in compiled editions and journals in his country, the U.S.A., France, Germany, and Spain. Fiction publications include Verse, a collection of short stories, and Cantares, a book of poetry. He is also co-editor of the digital magazine on creative writing Diagonautas.

Colin Greenland is English: born in Dover, educated at Oxford, with homes in Cambridge and the Peak District. His books include Finding Helen and the space opera trilogy that began with the multi-award winning Take Back Plenty. He lives with Susanna Clarke, author of Jonathan Strange and Mr Norrell.

Csilla Kleinheincz is a Hungarian-Vietnamese fantasy writer living in Erkel, Hungary. Besides translating classics of fantasy, such as Peter S. Beagle’s works, she works as an editor at Delta Vision, a major Hungarian fantasy publisher. Her first novel, published in 2005, and most of her short stories are part of Hungarian slipstream literature.

Joy Marchand lives in a lopsided, historic rowhouse in Salem, Massachusetts. In the last two years she’s shifted her focus from short stories to longer works, and she’s currently writing a series of linked urban legends for her interstitial novel-within-a-novel set in the Chihuahuan Desert of West Texas. .

Holly Phillips is the author of the award-winning story collection In the Palace of Repose. She lives in the mountains of western Canada.

Rachel Pollack is the author of 30 books of fiction and non-fiction, including the award-winning novels Unquenchable Fire and Godmother Night. She is also a poet and a visual artist, creator of the Shining Tribe Tarot deck. She lives online and offline in New York’s Hudson Valley.

Veronica Schanoes is a writer and a scholar with a particular interest in fairy tales and genre theory. Her work has appeared in Lady Churchill’s Rosebud Wristlet, Trunk Stories, Endicott Studio, and Jabberwocky.

Léa Silhol was born in Africa and grew up in Europe, but considers herself a “citizen of the world.” She is considered one of the leading writers in fantasy in the French language, with four short stories collections and a novel, La Sève et le Givre, which won the Fantasy Merlin Award in 2003.

Jon Singer grew up in Brooklyn, NY, wanting to be a scientist. That didn’t work out, but he is now semi-officially a Mad Scientist, which may even be better. You can find some of his work here.

Vandana Singh is an Indian speculative fiction writer born and raised in New Delhi. She lives in the Boston area, where she also teaches college physics and has published a children’s book:Younguncle Comes to Town (Viking 2006).

Anna Tambour currently lives in the Australian bush with a large family of other species, including one man. Her collection, Monterra’s Deliciosa & Other Tales &, and her novel,Spotted Lily, are Locus Recommended Reading List selections. Her website is Anna Tambour and Others and she blogs at medlarcomfits.blogspot.com.

Mikal Trimm has sold works of speculative fiction and poetry to a number of venues in the past few years. Recent or upcoming stories may be found in Weird Tales, Black Gate, Postscripts, Polyphony 6, and Shadowed Realms. He maintains a web presence (for no apparent reason) here.

Catherynne M. Valente is the author of the Orphan’s Tales series, as well as The Labyrinth,Yume no Hon: The Book of Dreams, The Grass-Cutting Sword, and four books of poetry, Music of a Proto-Suicide, Apocrypha, The Descent of Inanna, and Oracles. She has been nominated for the Rhysling and Spectrum Awards as well as the Pushcart Prize. She was born in the Pacific Northwest and currently lives in Ohio with her two dogs.

Leslie What is a Nebula Award-winning author who writes short stories, essays, and novels. Visit Whatworld.

• Interview with the editors
• Interfictions blog
• Interstitial Arts Foundation

Kelly Link’s debut collection, Stranger Things Happen, was a Firecracker nominee, a Village Voice Favorite Book and a Salon Book of the Year — Salon called the collection “…an alchemical mixture of Borges, Raymond Chandler, and “Buffy the Vampire Slayer.” Stories from the collection have won the Nebula, the James Tiptree Jr., and the World Fantasy Awards.

Her second collection, Magic for Beginners, was a Book Sense pick (and a Best of Book Sense pick); and selected for best of the year lists byTime Magazine, Salon, Boldtype, Village Voice, San Francisco Chronicle, and The Capitol Times. It was published in paperback by Harcourt.

Kelly is an editor for the Online Writing Workshop and has been a reader and judge for various literary awards. With Gavin J. Grant and Ellen Datlow she edits The Year’s Best Fantasy & Horror (St. Martin’s Press). She also edited the anthology, Trampoline.

Kelly has visited a number of schools and workshops including Stonecoast in Maine, Washington University, Yale, Bard College, Annandale-on-Hudson, NY, Brookdale Community College, Brookdale, NJ, Lenoir-Rhyne College, Hickory, NC, the Imagination Workshop at Cleveland State University, New England Institute of Art & Communications, Brookline, MA, Clarion East at Michigan State University, Clarion West in Seattle, WA, and Clarion South in Brisbane, Australia.

Kelly lives in Northampton, MA. She received her BA from Columbia University and her MFA from the University of North Carolina at Greensboro. Kelly and her husband, Gavin J. Grant, publish a twice-yearly zine, Lady Churchill’s Rosebud Wristlet — as well as books — as Small Beer Press.

Low resolution (for web use only) author photos. Links below are for high-resolution print-ready versions.(T-shirt — always — Gama-Go.)

Credit: Courtesy of the author.

Click here for hi-res download

Click here for hi-res download

Click here for hi-res download

Kelly Link is represented by:

Renee Zuckerbrot
Renee Zuckerbrot Literary Agency
115 West 29th Street, 3rd Floor
New York, NY 10001
(212) 967-0072
(212) 967-0073
renee@rzagency.com

Foreign Rights:

Jenny Meyer
Jenny Meyer Literary Agency, Inc.
115 West 29th St., 10th Flr
NY, NY 10001
(212) 564-9898

Asia:
Whitney Lee
The Fielding Agency, LLC.
269 South Beverly Drive, #341
Beverly Hills, CA 90212
310.276.7517

Film rights:

Sarah Self
The Gersh Agency
41 Madison Avenue, 33rd Floor
New York, NY 10010

Kelly and friend pose at a Japanese subway stop (1998)

Quoting Mr. Denton:

Dear Ben,

Which was just a quick way of saying:

The eloquence and poignancy of each of these stories astonished me. “The City of Peace,” alone, is enough to make one weep. But when read as a whole, Other Cities is not only harrowing, but exhilarating. It’s a fearless exploration into both the heart of darkness and the soul of hope. Here, despair and joy are neither opposites nor antagonists — but husband and wife, brother and sister, yin and yang. In these Cities of Humanity, you won’t meet one without meeting the other.

– Bradley Denton

Other Cities, a Chapbook
Benjamin Rosenbaum

Quoting Mr. Denton:

Dear Ben,

Unfortunately, I’m an atheist, so someone might accuse me of dishonest deity interjection (thus casting a cloud of doubt over the entire sentence). Another problem is that “My God, these are beautiful” is quite short . . . and a proper blurb, particularly for stories as fine as those in Other Cities, should be long enough to be quoted with ellipses . . . like so . . . thus suggesting that the blurber had so many good things to say that they wouldn’t all fit . . . and that some of the best ones had to be left out.

On the other hand, “My God, these are beautiful,” although blasphemous and short, is true and concise. It’s also an improvement over my first draft:

“Holy shit!”

– Bradley Denton

Small Beer Press limited editions
Available from this website and a few select bookshops.

+++++++++

July 2005
Kelly Link
Magic for Beginners
illustrated by Shelley Jackson
edition of 150

Magic for Beginners is the highly anticipated second collection by Kelly Link, the author of the cult favorite collection Stranger Things Happen. As the title suggests, this is an engaging, funny, and magical selection of stories about haunted convenience stores, husbands and wives, rabbits, zombies, weekly apocalyptic poker parties, witches, superheroes, marriages, and cannons, and includes several stories original to the collection. Stories from Magic for Beginners have previously been published in McSweeney’s Mammoth Treasury of Thrilling Tales, Conjunctions, and The Dark.

Hand-numbered and signed by the author and illustrator and includes two tipped-in plates: an enlargement of the title story illustration and a color reproduction of the trade dustjacket painting by Shelley Jackson which is based on “Lady with an Ermine” by Leonardo da Vinci held in The Czartoryskich Museum in Krakow. Printed by Thomson-Shore of Dexter, MI, on 70# Finch Opaque Cream White Smooth paper, with 80# Oatmeal Rainbow Endpapers, Smyth Sewn in Cobalt Blue Pearl Linen Cloth, with a ribbon to keep your place.

Accompanied by a deck of poker cards backed with the cover illustration and illustrated with Shelley Jackson’s interior illustrations.

Maureen F. McHugh is the author of four acclaimed novels. Her genre-expanding short fiction has won the Hugo and Locus Awards and has frequently been included in Best of the Year anthologies. Since 1988 she has attracted a broad readership in publications such as Asimov’s, Scifiction, Starlight, The Year’s Best Science Fiction, and The Year’s Best Fantasy and Horror. Now, in her long-awaited first collection, McHugh’s subtle talents illuminate the relationship between parents and children from angles that everyone — mother or father, daughter or son — can relate to. These are beautiful stories about the ways in which social and technological shifts impact family dynamics.

Signed and hand-numbered by the author includes five poems not in the trade edition. This edition also includes a tipped-in print of Judith Anderson photographed in the role of Medea by Erwin Blumenfeld. Printed by Thomson-Shore of Dexter, Michigan, on 70# Finch Opaque Cream White Smooth paper, with 80# Red Rainbow Endpapers, Smyth Sewn in Pearl Linen Cloth. We have included a ribbon to keep your place.