June 25, 6:30 p.m DIESEL, A Bookstore, 5433 College Avenue, Oakland, CA 94618-1502
Sep. 16, 7 p.m. City Lights Booksellers, 261 Columbus Avenue, San Francisco, CA 94133
“A ravishing, profane, and bittersweet post-apocalyptic bildungsroman transcends genre into myth.”
— Kirkus Reviews (starred review)
10 years on Thu 2 Jul 2015
Apparently it’s been 10 years since we first publisher Kelly’s second collection, Magic for Beginners. Which had a different working title for a while (as I think all of her books except Stranger Things Happen have had) but you know which one Kelly went with in the end. Even if the actual story “Magic for […]
LCRW out in the world, doing well Mon 29 Jun 2015
LCRW is a tiny juggernaut, bouncing over the desert, heading for the dessert line, ready for both stories and readers who don’t mind crossing a line or two, refueling souls, brains in jars, and the worldwide weird and great fiction bucket. It is doing very well! The latest issue, #32, is getting strong reviews (Lois […]
Signatures, halves, quarters Tue 23 Jun 2015
Made this at some point so that I would not site here counting in multiples of 32. Feel free to download if useful.
paper · $16 · 9781618731012 | ebook · 9781618731029 · Edelweiss
Start reading right now.
Don’t miss Ayize’s amazing Book Notes playlist at Largehearted Boy.
A Liminal People novel. Taggert wants to look after his family so when his adopted daughter disappears he only has one option: find her.
There is something wrong in this world and Taggert must do what he must.
“I read bodies the way master musicians read music.”
The Liminal War is a propulsive novel that starts with a kidnapping in London and takes off running. Taggert is a man with a questionable past and the ability to hurt or heal with his thoughts alone. When his adopted daughter goes missing, he immediately suspects the hand of an old enemy. In order to find her, Taggert assembles a team of friends, family, and new allies who don’t quite trust he has left his violent times behind. But their search leads them to an unexpected place: the past.
Getting there is hard, being there is harder, and their journey has a price that is higher than any of us can afford.
Ayize take the Pop Quiz at the End of the Universe.
Sep. 16, 7 p.m. City Lights Booksellers, 261 Columbus Avenue, San Francisco, CA 94133
“In Ayize Jama-Everett’s The Liminal War, the family one chooses is just as important as the one a person is born into. Taggert is a “Liminal,” a being who can manipulate human molecules and DNA, allowing him to both harm and heal. When his adopted daughter is kidnapped by his psychotic former mentor, Taggert will rent the fabric of time and space to make sure his daughter is found before his former master can twist her mind. While there are forces stronger than Liminals bent on stopping Taggert and his friends — a pot-smoking god and a musician who takes him back to 1970s London — they may be outmatched by Taggert’s biological daughter, Tamara, who will risk her own life to save her sister’s.”
— Nancy Hightower, Washington Post
“Like Ursula K. Le Guin and Octavia Butler before him, Jama-Everett has a knack for braiding issues of spirituality and race throughout a compelling fantasy landscape.”
— Leilani Clark, KQED
“It’s been a long wait since Jama-Everett’s 2009 debut, The Liminal People, but the same raw wattage that lit up healer/killer Taggert’s epic introduction to his daughter, Tamara, and his split with his sociopathic mentor, Nordeen, is at work in this rich, dense sequel. This episode opens with a characteristic blast of pure psychic chaos from Tamara, who’s discovered that Prentis, a child Taggert calls “mine by choice,” has disappeared from the sensory realm commanded by superpowered liminals like Taggert’s family. Taggert’s sure that Prentis isn’t dead, but beyond that he’s stumped. His lover, Samantha, guides him to the Rasta-tinged commune of London’s Eel Pie Island, where he encounters the avatar of a four-billion-year-old vegetable god who allies with him in the search. And that’s just the first 30 pages. Jama-Everett writes with such cyclonic energy and verbal legerdemain that occasionally the plot has to be taken on faith, but the noir-infused verve of the telling makes it all work.”
— Publishers Weekly
“. . . a scrappy group of people with superpowers who careen through a criminal underground, the space-time continuum, and frequently outrageous battles to rescue a young woman who’s gone missing. Taggert, a former criminal, can “read bodies” and manipulate them on a molecular level. He’s lying low in London, working a shadowy business of healing people with terminal diseases and keeping an eye on his teenage daughter, Tamara, and adopted daughter, Prentis. Both Tamara and Prentis are also “liminals”—people with supernatural abilities—and survivors of Taggert’s criminal past. When Prentis vanishes from the planet, invisible even to Tamara’s powerful telepathy, Taggert and Tamara set out to look for her. They find themselves thrown into alliances with legendary musicians and the worshipers of a strange god and pitted against viciously ruthless nonhuman entities called “alters.” The plot moves swiftly, cramming incident after incident into a novel that seems surprisingly slim for this breed of action-adventure. . . . An engaging sequel that sets its likable cast of characters against a fast-paced sequence of dangers.”
“The Liminal War did something I thought was impossible. It was even better than its predecessor, which knocked my socks off when I read it last year. Science fiction and fantasy fans, run—don’t walk—to go read Ayize Jama-Everett’s Liminal series.”
— A Bookish Type
“The Liminal War is thus rich in action and meaning that is impressive for its short length. . . . an effective and remarkable novel . . . I really look forward to the next entry in this series, the further growth of its characters and its textured layers of Black culture and history.”
— Skiffy and Fanty
Reviews of The Liminal People:
“A great piece of genre fiction. But picking which genre to place it in isn’t easy. The first in a planned series, it’s got the twists and taut pacing of a thriller, the world-warping expansiveness of a fantasy yarn, and even the love-as-redemption arc of a romance. Oh yeah, a lot of the characters in it have superhuman powers, too.”—The Rumpus
“The action sequences are smartly orchestrated, but it is Taggert’s quest to retrieve his own soul that gives The Liminal People its oomph. Jama-Everett has done a stellar job of creating a setup that promises even greater rewards in future volumes.”
— San Francisco Chronicle
“You’ll be sucked into a fast-paced story about superpowered people struggling for control of the underground cultures they inhabit…. The novel is a damn good read. It’s a smart actioner that will entertain you while also enticing you to think about matters beyond the physical realm.”
—Annalee Newitz, io9
“The story’s setup . . . takes next to no time to relate in Jama-Everett’s brisk prose. With flat-voiced, sharp-edged humor reminiscent of the razors his fellow thugs wear around their necks, Taggert claims to read bodies ‘the way pretentious East Coast Americans read The New Yorker … I’ve got skills,’ he adds. ‘What I don’t have is patience.’”
—Nisi Shawl, The Seattle Times
“A fun and fast-paced thriller. Recommended for: Mutants, misfits, anyone who’s ever felt partway between one thing and another.”
— The Ladies of Comicazi
About the Author
Born in 1974, Ayize Jama-Everett hails from the Harlem of old. In his time on the planet, he’s traveled extensively throughout the world — Malaysia, East and North Africa, Mexico, New Hampshire — before settling temporarily in Northern California. With Master’s degrees in psychology and divinity, he’s taught at the graduate and high school level and worked as a therapist. He is the author of three novels, The Liminal People, The Liminal War, and The Entropy of Bones, as well as an upcoming graphic novel with illustrator John Jennings entitled Box of Bones. When he’s no writing, teaching, or sermonising, he’s usually practicing his aim.
More Books< Less Books
“Sublimely lyrical Jacobeanesque dialect . . . readers who enjoy
symbolism and allusion will cherish Gilman’s use of diverse folkloric elements to create an unforgettable realm and ideology.” —Publishers Weekly
“Lightly flecked with fantasy and anchored in vividly detailed settings.” — Publishers Weekly Best Books of the Year
“Califa: riotous carnival world of soldiers, drunks and magick.”— Kirkus Reviews
Ben Jonson has written the part of a lifetime for the Prince of Wales: he will play Oberon, the King of Faerie. It’s only theater. What could go wrong?
It was morning and the power was not yet on. Zach and Renee lay in the heat of the bed listening to the city wake outside the building’s windows.
“Glows with intelligence . . . though not for the faint of heart.”
—Booklist (starred review)
A young man has to choose who to love, who to leave in the 1926 General Strike in Britain.
“Waldrop is probably the single most remarkable writer I know of who non-genre readers remain largely unfamiliar with.”—William Gibson
“Howard Waldrop is the Studebaker Golden Hawk of genre fiction, a classic of structure and design. His unique stories autopsy the entrails of our eccentric past and reveal, often in oracular fashion, insanities to come.” — Lucius Shepard
“Combines humor and compassion in 17 short, intricate gems.”
—Publishers Weekly (starred review)
“Loch Ness’s claims pale beside the super-exciting discovery made by Emma . . Expert mystification, the tender conscience and burning courage of the young, tantalising details, make this a compelling tall story.”
Elemental Logic: Book 1
Spectrum Award winner
Romantic Times Reviewers Choice award nominee
“DeNiro has already garnered a reputation as a genre-bending experimental author with an indescribably quirky but captivating prose style.”—Carl Hays, Booklist
“The most startling, original, and entertaining short story writer in science fiction today.”
—George R. R. Martin
“In an era of bright, simple adaptations, Was is different—melancholy, beautiful, and yes, full of heartaches and nightmares.”
“The beautifully evoked sense of lives lived under the eye, not only of prying neighbors, but of God, with all the terror and possibility that entailed.”—Publishers Weekly
Published in saddle-stitched and ebook editions.
“I think Peter Dickinson is hands down the best stylist as a writer and the most interesting storyteller in my genre.”
—Sara Paretsky, author of
“Raymond Carver territory, beautifully written and right on target for today.”
—Maureen F. McHugh (After the Apocalypse)
“Mr. Dickinson has a nice dry wit and a talent for deft characterization.”
—New York Times
“Samatar’s sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable.”
—Library Journal (*starred review*)
” I found it delightful. Thought-provoking. Impressive. Brilliant.”
—Liz Bourke, Tor.com
“There is no better spirit in all of American letters than that of Ursula Le Guin.”
“Her stories will pass into legend, to touch many generations to come.”